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your footage was written to tape at 4:2:0, and there is no way to convert it to a higher-resolution color space because the additional picture information simply doesn't exist.
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#Red giant magic bullet looks plug in for sony vegas movie#
Me neither.Secondary CC or Movie Looks works OK, but no Chroma Blurr - a self defeating drag. You mention cleaning up the footage for DVD, but what do mean by that exactly? Give us a precise description of what it is you want to try to fix. You seem to be dealing with neither of these situations. Blocking is usually only an issue when keying or when reds (which the DV codec doesn't handle well) are visibly blocky in regular footage. What kind of problem are you having with chroma blocking, anyway? I don't think we've ever really addressed the particular situation you're dealing with. As I was saying earlier, the effect is most apparent/beneficial when there are high-contrast reds and oranges in the shot-but it can still be very beneficial with chroma blocking issues that come into play with chroma key footage. With that in mind, realize that there are limits to what can be done with the chroma blocking. Even with chroma smoothing, your footage was written to tape at 4:2:0, and there is no way to convert it to a higher-resolution color space because the additional picture information simply doesn't exist. If you're expecting a really massive improvement, you may not be able to get it. The footage previews in the preview window just like every other effect. I'm not sure why you're not seeing a preview, either. You just adjust the sliders for horizontal and vertical blur until your "jaggies" are either gone or as smoothed as you can get them. There's really no need for a tutorial as far as chroma blur goes. In addition, you have more control over the amount of blur with Vegas' effect. :) The Vegas effect calls it what it is and doesn't get your hopes up. Then try using chroma blur to do the same thing and see if it doesn't render faster. So if your footage is 4:2:0, that's the one you'd want to use. The page that John linked to explains that the DV/HDV preset compensates for 4:1:1 or 4:2:0. There's no real "magic" plugin that can fix everything in post. Either one of these techniques will help with compositing and chroma key and things like that, but only a tiny little bit. :) I guarantee that if you try both the MB deartifactor and the Vegas chroma blur, you'll get pretty much the same thing. You can't add pixels that weren't there when the camera threw them out to compress the original footage. But if you think about it, blurring is about all that can be done.
![red giant magic bullet looks plug in for sony vegas red giant magic bullet looks plug in for sony vegas](http://3.bp.blogspot.com/-7sHPmryZKgA/UR9ryi9Vc_I/AAAAAAAAMvM/sePMur8KDSE/s1600/magic+vbullet.jpg)
Red Giant says that their deartifactor uses a "proprietary engine" to accomplish this smoothing. The best the Magic Bullet deartifactor can hope to do is to smooth some of the chroma blockiness in 4:2:0 or 4:1:1 color space. I'm going to go convert all of my DV stuff to 4k 4:4:4. Can you add luma resolution in post? If you can, tell me how. Think about it: you're talking about adding color resolution in post. Whether it was worth designing it or not is not for me to call (though it must have been if people are paying for it), but as far as I can tell, Vegas' chroma blur does the same thing.įirst of all, no plug-in in the world is ever going to extract enough color information from DV video to give you a true 4:2:2 color space. What am I missing? I want to test its chroma clean up, make an avi then work on it in Fusion 5 in 4.2.2 space.
![red giant magic bullet looks plug in for sony vegas red giant magic bullet looks plug in for sony vegas](https://suggestionofmotion.com/wp-content/uploads/Sony_Vegas-Pro_Media_FX.jpg)
If you are right, hardly seems worth having designed it.Īnyway, I want to try it out so can you tell me whats going on with the presets.there's no 4.2.0 settings.